Vermont users are no doubt familiar with seeing their faces in Tinder's graphic epicenter accompanied by the text "There's no one new around you." Mitchell has placed her own small screenshot within the multiphoto frame.
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"Little Black Book" is a "talking photo album" issued by Radio Shack circa 2005, which Mitchell has filled with upbeat stock photography of couples and groups smiling in various locations — with a puppy in bed, having drinks at a bar.
When you press a photo's corresponding button, a computer voice reads messages that Mitchell — or, in one case, her friend — received on dating platforms. Let me lick." "Wash That Man Right Out" encapsulates the understated humor of surrealist objects in a way reminiscent of Swiss artist Méret Oppenheim's iconic 1936 "Object," a fur-covered teacup saucer and spoon.
This year, with "IRL" ("in real life"), Mitchell smartly digs into the world of online dating as a straight female, using a variety of media to process her encounters.
Sandwiched between the annual "Art of Horror" group show and holiday-centric displays of affordable works, her exhibitions are unabashedly personal.
Humor is a crucial element of the exhibition, balancing a sense of frustration with a healthy appreciation for the absurd.
In "IRL," Awtry captures Mitchell in the "bar scene," smoking and wearing a gorilla mask.
Mitchell's seven distinct bodies of work comment on the broader experiences of women seeking male partnership in the digital age.
Experiences limited to the internet and those taken to the next level meet in this exhibition.
These range from relatively innocuous lines about sushi to words of male frustration or sexual aggression, such as "Let me lick. For "Wash," Mitchell replaced the cord and speaker of an old-fashioned rotary phone with a long braid of synthetic blond hair and a Lucite showerhead.